On the Mediocrity of MOCKINGJAY

2010 at 5am     Posted by Rebecca Joines Schinsky

Mockingjay is the much-anticipated final installment of Suzanne Collins’s Hunger Games trilogy.  If you haven’t read The Hunger Games and Catching Fire, much of this post will be lost on you, and if you’ve read those but not Mockingjay, be forewarned: this bad boy is spoilerific.

Also: we at the Bookrageous Podcast would love to hear your thoughts about this book!  Call us at (347)855-READ and leave a message with your reaction.

Disclaimers:

While I liked the first two books (the first one more than the second), I can hardly call myself a rabid fan. I read the books, and I enjoyed them, but I have never been overly invested in or emotionally attached to the characters.  I wanted to know how it would end, but I wasn’t about to stand in line to buy it at midnight. Just thought you should know where I stand.

ALSO

It’s been about two weeks since I finished Mockingjay, but I was so utterly disgusted by it (really—I threw it at the wall with the declaration that it was “really fucking awful”) that I haven’t been able to force myself into writing about it. So, if you’re here because you want to share in the gushing about how picture-perfect it all was…well, honey…you’re in the wrong place. 

The Rant

Where to begin? I mean, really. I straight-up hated most of this book. And I’m not kidding. My first margin note occurred on page 12, and it says, “Wow, heavy on the angst.”

If only I had known!  I would have stopped there.

The best word that I’ve found to describe the general tone (and therefore, the general problem) with Mockingjay is OVERWROUGHT. Katniss is so angsty and self-loathing. Peeta is so tortured (literally) and creepy and hot-and-cold. Gale is all “I’m a tough, violent rebel, and I just want to blow things up.”

And it’s all just too fucking much!

(I promised several people a review with prolific use of the F word, and I’m not going to back down now.)

So, Katniss: I used to think of her as the feminist’s answer to Bella Swan. She was tough and independent, and she refused to rely on a boy for her identity or strength. I kind of loved it that she used Peeta in the first book, knowing that the audience would be attached to what they perceived as a love connection.  Her confusion in Catching Fire was mildly interesting, but by the time Mockingjay was over, she was looking even wimpier and more annoying than Meyer’s character, and if you know me, then you know that is saying something.

As for the love triangle: I’ve always thought it felt like the torn-between-two-boys thing was an afterthought, as though Scholastic realized how much action the Jacob vs. Edward bit in Twilight got and decided they should nudge Collins into adding that element to her books.  I always hoped Collins would let the tension play out and take Katniss into the future on her own. I mean, really. How many of us actually end up with the people we had crushes on when we were sixteen?  Sure, they’ve all been through traumatic experiences together, but still. It gets old really fast.

And while I’m talking about that, I should also address the way that Katniss plays on the boys’ pain and weakness and then decides that THE ONLY WAY TO COMFORT THEM IS TO KISS THEM! Gale is smart enough to know what she’s doing and call her out on it, but PUH-LEEZ. I also found it really disturbing that Katniss’s attraction to and love for Peeta and Gale was so defined by suffering, and COME ON, is there anything more fucked up and narcissistic than the idea that your kisses are powerful enough to heal the kind of wounds caused by war and torture?

Beth Fish Reads wrote a fabulous response to this issue (and the larger problems with the book) that made me want to shout amen.

And let’s talk about the violence and torture, shall we? I’ve read several articles criticizing the level and extent of violence in Mockingjay recently, and while I think it’s important for us to have this conversation (about the depiction of violence in young adult books in general), I don’t quite understand why this is only coming up now. Sure, torture is a hot-button issue, but why are we supposed to be more alarmed by it than by the foundational concept of the series, which is, HELLO, children killing other children FOR THE AMUSEMENT OF THE RULING CLASS? Perhaps the violence in Mockingjayy strikes closer to home because it’s of the sort we can reasonably expect to hear about in the news (whereas the whole elimination game thing is not so much), and that hits too close for comfort. If Katniss, Peeta, and Gale were growing up in the contemporary U.S., they’d almost be of age to enlist in the military, and really, there’s not much that happens in Mockingjay that couldn’t happen to a young man or woman who went off to the war we’re fighting now.

It ain’t pretty, but it’s the truth.

While we’re on the subject of things that aren’t pretty, let’s discuss the writing. It seems to me that Mockingjay was written for an entirely different audience than The Hunger Games and Catching Fire were. The first two books are all ACTION! DANGER! NEAR-DEATH EXPERIENCES! GO GO GO! There is pacing and excitement and a reason to keep turning the pages….and….well…..the same cannot be said for Mockingjay. Where The Hunger Games and Catching Fire are the kinds of books that even reluctant readers can dive into and get excited about, Mockingjay is much more about politics and strategy and the mechanisms of war and rebellion, and those are the kinds of things that older, more worldly readers appreciate.

Or, they would be if the writing were any good.

As I said earlier, “overwrought” is the descriptor I keep coming back to. Additionally, the book has major pacing issues, and Collins just sort of drops major revelations into our laps nonchalantly. Too nonchalantly. Ti touches on this in her review at Book Chatter also.

And all of this brings me to the ending. Call me naive, but I always harbored hope that the series would end with Katniss by herself, starting to sort things out and make a life of her own, away from other people’s pressures and expectations. I knew Collins would have to resolve the love triangle, but I really, really hoped the resolution would be that Katniss didn’t choose either boy. Or, if she absolutely had to, that she would choose Gale. So when she ended up marrying Peeta and having babies even though she didn’t really want to, and the whole thing ended with her watching their children frolicking in a field that was once a battleground-slash-burial ground, I wanted to puke.

It’s just too sappy and too easy and too calculated to please the readers that are attached to Peeta and his faux-sweetness, and it really did make me throw the book against the wall. These are not sweet books, and Collins just completely caved in and wrote a sweet ending, and it is really, really weak. I mean, sure, we all expected a sweet ending to the Harry Potter books, and we got it, and it worked, but in this case, it is just WRONG!  ALL WRONG!

And this concludes my rant about Mockingjay. I have many more things to say, but this will suffice, and I have to save some of it for the next Bookrageous podcast recording!

Have you read it?  What did you think?

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