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Fifteenth anniversary edition currently available from DaCapo Press
When Dennis Covington went to Scottsboro, Alabama in March 1992 to cover the trial of Pentecostal snake-handling preacher Glenn Summerford, who was accused of trying to murder his wife with rattlesnakes, he thought it was just another story. But as he got to know the members of Summerford’s church, eventually attending services and even taking up snakes himself, Covington found himself becoming an increasingly larger part of the story, and what began as a journalistic investigation turned into a memoir. Sort of.
Salvation on Sand Mountain: Snake Handling and Redemption in Southern Appalachia is Covington’s chronicle of the year he spent among the “hard, angular women and men with slicked-back hair and unfortunate teeth,” whose literal interpretation of a few verses of scripture led them into religious practices many find unbelievable and even crazy.
Mark 16:17-18 (King James Version)
17And these signs shall follow them that believe; In my name shall they cast out devils; they shall speak with new tongues;
18They shall take up serpents; and if they drink any deadly thing, it shall not hurt them; they shall lay hands on the sick, and they shall recover.
The members of Summerford’s church—and of the wider Holiness movement—took their worship to ecstatic levels. They “spoke in tongues, anointed one another with oil in order to be healed, and when instructed by the Holy Ghost, drank poison, held fire, and took up poisonous snakes.” And Covington was fascinated. Raised in the Methodist church, he attended a mainstream Southern Baptist congregation as an adult but admitted to being an adrenaline junkie and had long been interested in more mysterious, mystic, and dangerous spiritual experiences.
In retrospect, I believe that my religious education had pointed me all along toward some ultimate rendezvous with people who took up serpents.
Covington’s ability to suspend judgment and be open to the snake handlers’ beliefs initially makes his exploration feel like immersion journalism, but the longer he stays and the more services he attends, the blurrier the lines become. When Covington attends a brush-arbor meeting on top of Sand Mountain and finds himself swept up in the worship service, only to realize that he has been shaking a tambourine without noticing, he becomes a full-fledged participant in the story, and Salvation on Sand Mountain becomes just as much about him and his history as it is about the peculiar individuals who people the Holiness movement.
Through the tambourine, I was occurring with her in the Spirit, and it was not of my own will.
Covington seems to have drunk the proverbial kool-aid, and rather than creating a frustratingly muddy book, his connections to the “hill people” make them more sympathetic and their practices *almost* sensible. Almost. Covington begins to buy into the beliefs so completely that even skeptical readers will find themselves tempted to leave behind the idea that experiences are only ecstatic because we construct them to be and will wonder if just maybe they’re really missing out on something.
I mean, Covington makes it all sound so highminded:
It occurred to me then that seeing a handler in the ecstasy of an anointing is not like seeing religious ecstasy at all. The expression seems to have more to do with Eros than with God, in the same way that sex often seems to have more to do with death than with pleasure. The similarity is more than coincidence, I thought. In both sexual and religious ecstasy, the first thing that goes is self. The entrance into ecstasy is surrender…The paradox of Christianity, one of many of which Jesus speaks, is that only in losing ourselves do we find ourselves, and perhaps that’s why photos of the handlers so often seem to be portraits of loss.
Or, you know, loss of sanity. Which is what I was thinking, but I admire how deeply Covington allowed himself to be absorbed into the community (which eventually began referring to him as “Brother Dennis,” a true sign that he was accepted), and I appreciate that he still succeeds in distancing himself from his experiences enough to analyze them. After testifying during a service for the first time, he writes:
I was astonished at myself afterward. Appalled is not too strong a word. At the moment, though, the words seemed right, but inevitable.
Upon reflection, Covington calls what happens in many services “a sort of group hypnosis, group hysteria,” but he never questions the validity of the handlers’ practices, though he does remark that what they do can seem crazy and is certainly difficult to understand. My inner cynic (who, let’s face it, doesn’t reside too far below the surface) wanted more questioning, more skepticism, more “what the hell are these people thinking?” But I couldn’t help but be grateful to Covington for bringing the snake handlers out of caricature and into the kind of story that leaves me wanting to learn more.
The narrative framework of Salvation on Sand Mountain goes beyond the present-day snake handlers to explore the history of Appalachia’s people, who, as it turns out, are also Covington’s people. He paints them as “refugees from a culture on the ropes” who, after the industrialization of America, “had awoken to discover that the new Eden they’d inherited was doomed.” Covington presents snake-handling and the Holiness movement as part of a larger cultural push to resist modernization and secure social and spiritual capital for a people who feel disenfranchised.
The more faith you expend, the more power is released. It’s an inexhaustible, eternally renewable resource. It’s the only power some of these people have.
As Covington looks into Sand Mountain’s history, he discovers that his great-great-grandfather was a preacher whose snake-handling antics earned him coverage in the newspapers of his day, and he realizes that the culture he’s become so fascinated by is a part of his spiritual heritage. The snake handlers have taken him in and trusted him enough to allow him to see their faults, and he has gotten in way over his head and involved himself to the point where he isn’t just writing the story but affecting what happens in it.
Readers looking for an exposé or critique of snake-handling culture will be disappointed by Salvation on Sand Mountain, but that’s only because they are looking in the wrong place. This is a book about the people of a movement and their struggles, both personal and corporate. Yes, some of the stories are salacious, but just as many are heart-wrenching, or baffling, or rage-inducing. And all are worth reading.
Ultimately, Covington involves himself with the community so deeply that he crosses boundaries and finds himself pushed out. And that is for the best. He says, “I had found my people. But I had also discovered that I couldn’t be one of them after all.”
If you have to classify Salvation on Sand Mountain, think of it as a journalistic memoir, but if you can get beyond the label, you’ll find a wonderfully-written, emotionally compelling story populated with unforgettable characters and an unknowable system of beliefs. 4.75 out of 5.
I’m dusting off my dancing shoes and stocking up on confetti because it’s almost party time around The Book Lady’s Blog. This Thursday will mark my second “blogiversary,” and I can’t believe how quickly the time has passed and how many incredible opportunities I’ve had in the last two years.
Exciting as a blogiversary is, and as proud as I am of everything I’ve accomplished since July 1, 2008, in the grand scheme of things, July 1st will always be about something bigger than my blog, and this July 1st will mark the fourth anniversary of the day my husband proposed to me.
Why am I telling you this? Because wrapped up in the memory of his proposal is the memory of the book I was reading (literally) when it happened.
(We were picnicking in St. Louis, waiting for the fireworks to start, and I kept nodding absentmindedly and turning the pages right until it dawned on me that the usually stoic Bob must have had a reason for getting all sentimental.)
Ready?
Here’s what I remember about it: the main character is a high school student who wants to come up with a crazy, creative way to pay for college. In reality, he works as a waiter (I think). He’s gay (but not really out) and has a female best friend, and (I think) they’re both involved in the drama club. And there are some awkward I-have-a-crush-on-you-but-you’re-straight scenes with a jock. Or maybe he’s also in the drama club. Who knows?
I was reading this because I finished the book I had packed for what I thought was going to be a short weekend trip, and Bob had picked this up off the bargain pile somewhere, and, well, if it comes down to reading crap like this (or the side of a cereal box, if that’s all that available) or reading nothing, I’m going to choose the crap. Every. Single. Time.
(Have I ever told you about the time I got stranded in an airport with nothing to read and bought a book called Eliot’s Banana?)
How could I have known that for the rest of my life, one of my most important memories would always bring with it the memory of the mediocrity that is How I Paid for College? If I’d known what was coming, I would have been reading something appropriately romantic and intellectual and impressive and worth remembering, the kind of book I’d want to reread each year to mark the occasion, if I were the kind of girl who does that sort of thing.
But this is what I got. And you know what? Unworthy as it may be, this book holds a pretty coveted spot on our shelves (yep, we’re one of those couples whose books started cohabitating as soon as we did).
If foodies get to attach memories of the Big Moments in their lives to meals, and music lovers get to do it with songs, then why shouldn’t book people do it, too? Call it what you want.
I call it page-a-vu.
Tell me: what are the (possibly forgettable) books you’ll never forget?
Many thanks to Katherine for suggesting “page-a-vu” when I sent out a Twitter call asking something like, “You know how you always know what song was playing during a big moment of your life? What’s the book version of that?” Runner-up points to Dawn for the fancier-sounding “libri memoria.”
I may not be a bookseller anymore (all afternoons at Fountain Bookstore, where the customers are smart and interesting, aside), but that doesn’t mean I don’t love a good story. I’m happy to welcome Melissa from Scuffed Slippers and Wormy Books back with another Adventures in Bookselling guest post (see her first one here).
This one is particularly appropriate as we’re celebrating LGBT month, and I want to give a hearty “ditto” to what Melissa says here about booksellers generally not judging customers for their purchases. I love books—and loved being a bookseller—because I believe in the power of information and the importance of making it available to anyone who wants it, and I wish people didn’t feel like they should be embarrassed to ask.
Anyway, here’s Melissa with a few examples of questions customers are frequently embarrassed to ask.
I love it when customers come to ask for something they are completely embarrassed about – like sex books. Or pot magazines. Or the “Gay and Lesbian” section. They would be surprised to find out that as booksellers we just don’t care that much about what you’re buying – we just want you to buy the item and take it home with a minimum of fuss and bother.
The “I can’t believe I’m asking you for this heathen item” customer
Customer [whispering]: *mumble, mumble, mumble*
Me: I’m sorry I couldn’t hear you, can I help you find something?
Customer [still very, very quietly]: Do you have “tarrot” cards?
Me [very brightly and with a great big smile]: We have lots of tarot decks – let me show you where they are!
[Takes customer to the wall of tarot decks in our store]
Customer [who looks baffled]: There are so many…it’s for a friend. I don’t believe in this stuff myself, I’m a Christian. Which “tarrot” cards are the best?
Me [are you kidding?]: Well, divination using tarot is all in the interpretation and layout of the cards as they are dealt from the deck. There really isn’t a best deck – just pick the design you like best. Or you can buy her a gift card if you’re not sure which one she would like.
[By now the customer is looking at me like I might have something contagious – she bought a gift card; that’s also pretty much all I know about tarot and, yes, she did pronounce “tarot” to rhyme with “parrot”]
The “probably still in the closet about some issues” customers
[Two well-appointed college-age males approach one of our lead booksellers, who is my mom’s age]
Customer #1: Excuse me, ma’am, but where are your books on alternative lifestyles?
Bookseller: We don’t really have a separate section for “lifestyles” – what type of lifestyle are you interested in?
Customer #2 [who suddenly looks nervous]: Oh, well, any type of lifestyles.
Bookseller [who really didn’t want to make any assumptions]: We have cultural studies, sociology, anthropology, gay and lesbian studies, alternative medicine, agriculture….
Customer #1 [who also looks nervous]: Umm, can you just show us where “cultural studies” is?
[She showed them where cultural studies books are – conveniently right next to the Gay and Lesbian Studies section, which is where she found them ten minutes later looking extremely nervous. She told me she had thought that was where they needed to be headed all along but didn’t want to make the assumption in case they got offended.]
The “we’re going to pretend this isn’t what it is because I still have issues” customer
[Middle-aged/retirement aged male approaches the cash register with a rolled up magazine and hands it to me, looking around]
Me: Good evening –
Customer [cuts me off]: Can you ring that up without unrolling it?
Me [um, rude much?]: No, I cannot, the barcode is on the cover but I can put it in a bag when I’m done.
Customer [snaps]: Fine.
[I unroll the magazine to find a gay porn magazine of somewhat dubious quality; the customer keeps looking around].
Me: That will be –
Customer: I want to pay with cash.
Me [what a turd]: Okay….here’s your –
Customer: I don’t want a receipt.
[And proceeds to snatch the bag out of my hands and walk off without his change; what a jackass, I hope he likes his skin rag.]
The “I am so busted if someone catches me here” customer
[Teenage boy finds me in fiction]
Teen: Ummmmmm….I need to find a book.
Me: Ok, what are you looking for?
Teen [looks around]: Well, see, I kind-of lied to my AP teacher and told her that I lost my book so I couldn’t finish my paper on time…
Me [starting to get that “I’m going to turn into your mother in two seconds” look]: And…?
Teen: But I never went to get a copy and she’s here right now and she can’t see me since I’m supposed to be turning my paper in tomorrow.
Me [tempted to rat him out]: I see…and what book were you supposed to have read?
Teen: *mumbles*
Me: I’m sorry?
Teen: Crime and Punishment
Me [ahhh, karma’s a bitch]: Well, Dostoevsky’s right over here….[drags the kid around a corner and hands him a copy]
Teen [dismayed]: But it’s so big….is there a smaller one?
Me: Nope, all editions of Crime and Punishment are approximately the same size, give or take a few footnotes.
Teen: Can’t I read the Cliffs Notes instead?
Me [mentally snorts]: And write a paper on it? Not a chance – your teacher already knows what parts of the book are missing from the study guide. Read the whole book and have a talk with your teacher – I think you’ll find that honesty is the best policy.
[It was almost too perfect – I had to go back to receiving and snicker for a very long time]
The “I do illegal things in my spare time” customer
[Super-sketchy looking, unkempt dude slinks up to the information desk – he absolutely reeks of pot and his eyes are bloodshot]
Sketchy dude [slurs]: Do you have gardening books?
Me [wow…is it possible to get a contact high off of him?]: Yes…is there something in particular you are looking for?
Sketchy dude [suddenly paranoid]: No. No. I just need gardening books for my mom, uh, girlfriend.
Me [riiiight]: Well, gardening books are back this way.
[When I get back to the section Sketchy Dude immediately makes a beeline for the “how to grow marijuana” book facing out on the shelf; so much for the “these are for someone else” defense]
The “don’t laugh at me because I’m asking for this item” customer
Female customer: Now, don’t laugh but I need to see if you have this book.
Me [what is it this time? because I’ve heard almost everything there is to hear in this store]: What can I help you find?
Customer [lowers her voice]: My friends are getting married so I need a, uh, a Kama Sutra?
Me [is that all? Sooooo boring]: Do you want one with pictures or no pictures?
Customer: Well of course with pictures!
[So off we head to the sexuality section where I start pulling different editions of the Kama Sutra off the shelves]
Customer [looking confused]: But these are all porn…I don’t want to buy porn!
Me [*sigh*]: The original Kama Sutra is more like a book of philosophy [pulls one off the shelf to show her] so all the editions with pictures are either full of Indian classical paintings or instructional photographs.
Customer: I see…
[She bought the Anne Hooper version…considering that’s probably one of the more “porn”-like editions I have no idea what she was actually thinking]
So, it’s Sunday again, and it’s hot again, and I’ll just spare you the kvetching about that because, well, most of us are in the same miserable boat, right? I’m spending the day in the air conditioning with Jacob Ritari’s Taroko Gorge, which comes out later this week, and I’m not going anywhere, thankyouverymuch. (At least, not unless someone invites me to a very cold pool that serves very strong margaritas.) My favorite quote from Taroko Gorge so far?
I’d much rather be well-read than a member of society.
In the past week, I reviewed Abby Dees’s Queer Questions Straight Talk and shared a guest post by the author. Tuesday night brought the #fountainreads discussion of The City and The City, which I expected to be intimidating but found to be all kinds of awesome. Many of my friends are at the annual ALA conference this weekend, and I wish I could be there for all the bookish fun, but also so I wouldn’t have to miss the fabulous spectacle of book cart drill teams like The Dewey Decimators.
I spent the week reading Salvation on Sand Mountain, Dennis Covington’s journalistic memoir about snake-handling Holiness churches in the south, and let me tell you, it is a fascinating read. I’ll be reviewing it later this week. Big shout-out and thank you to Gina Welch (author of In the Land of Believers) for the recommendation. I loved it!
Summer lends itself well to visit-the-bookshelves-and-pick-whatever-appeals reading, and I’m having a nice time finally getting to some of the titles that have been languishing on my TBR for longer than I want to think about. This has been so enjoyable, in fact, that I’m planning to take the week of July 5-9 off from blogging so I can do tons of reading (and writing) and take advantage of this (very welcome) boost in motivation. But don’t worry—I’ve lined up a great group of authors to keep you company, and I’ll still be around on Twitter. More on that next week.
I’m off to spend the rest of the day with Taroko Gorge and the first season of Mad Men. I know I’m late to the party on it, but it’s nice to know what all the excitement is about, and really, what else am I supposed to do when it’s this hot out?
Perhaps my expectations were too high (which can happen when a writer is compared to David Sedaris), or perhaps I’ve reached my saturation point for the humorous memoir-in-vignettes format (with necessary exceptions for the aforementioned Mr. Sedaris). For whatever reason, I found Sloane Crosley’s How Did You Get This Number lacking…something.
Comprised of nine stories about Crosley’s late-twenties/early-thirties life, How Did You Get This Number is entertaining enough but lacks the original insights and unique situations that make essay collections like this work. It’s not all bad, though, because there are some pretty enjoyable one-liners.
In “Lost in Space,” Crosley discusses her learning disability (she has severe difficulty with spatial relations) by framing it in the tired trope of my-parents-thought-I-was-a-genius-child-until-I-showed-them-otherwise, but her discussion of the techniques she employed to hide it from her friends and peers is relatively touching as she acknowledges that “the lies we construct to defend ourselves from humiliation are the strongest.”
“Take a Stab at It” is Crosley’s account of the post-college hunt for the perfect apartment (and the perfect roommate to go with it), and while it is longer than it needs to be (a feeling I had about many pieces in this collection), it has lines like this to redeem it:
Not all shabby is chic, just like not every porn actor is a star.
The cover of How Did You Get This Number is inspired by “Light Pollution,” in which Crosley travels to Alaska for a wedding and has a rather cringe-inducing run-in with a bear. As familiar as the “city girl in the country” concept is, Crosley’s take on it here is actually pretty enjoyable, as is her discussion of how out-of-place her Alaska-native friend feels in New York. Crosley paints Alaska as a strange and foreign land, and you can’t beat this description:
Alaska is what happens when Willy Wonka and the witch from Hansel and Gretel elope, buy a place together upstate, renounce their sweet teeth, and turn into health fanatics. The gutters swell with spring water. The streets are paved with Swiss chard.
If, like me, you were a ‘tween in the 90s, you’ll appreciate “If You Sprinkle,” in which Crosley reflects on the board game Girl Talk (which punished players for poor performance by requiring them to put stick-on pimples on their faces) and the politics of pre-teen girlhood that are endlessly mined for writing projects such as this. Crosley describes Girl Talk as “an early ’90s version of truth-or-dare, designed to sanction prepubescent cruelty via laminated cardboard,” and she goes on:
Imagine, if you will, the legal repercussions of a game manufactured today in which underage girls are encouraged to call strangers’ homes in the middle of the night.
Twisted as it may be, the nostalgia for pre-teen awfulness is something we can all relate to, and Crosley makes “If You Sprinkle” quite satisfying when she recalls bumping into the former “queen bee” of her school in the bathroom of a random New York City restaurant and realizing that the tables have turned. Crosley also comments on the strange social rules that govern our behavior in public restrooms, and her “come on, SOMEBODY has to say it” observational humor is spot-on.
It’s amazing that we listen to one another release piss and excrement into porcelain tubs and then pretend like nothing happened.
Graphic, yes, but you can’t argue with it.
While the concept of “Le Paris!”—two twenty-something girls get lost while visiting Paris, hijinks ensue—is far from fresh, Crosley won me over with her discussion of how weird it is that we have turned religious sites into tourist destinations.
There was tourism and there was religion. Since when was it a good idea to cross the streams?
When her heretofore not religious friend gets caught up in the moment and decides to queue up for confession, Crosley balks…and then she joins in the fun and finds herself trying to confess—in failing “bicyclette rouge French”—to a priest who doesn’t understand a word she says.
I was a Jew, and I’d just lied to a priest in confession. In Notre Dame. I was going to get the shit smote out of me.
The combination of sarcastic social commentary and witty irreverence make “Le Paris!” a star of the collection, as does Crosley’s adaptation of the idea that “you should never wear anything you can’t afford to lose” for romantic relationships (in “Off the Back of the Truck”), but ultimately, and despite several moments of greatness, How Did You Get This Number feels less than fresh and is, sadly, rather forgettable, putting the “meh” in memoir. 3 out of 5.