Book Review: The Blue Notebook by James Levine

2009 at 8am     Posted by Rebecca Joines Schinsky

bluenotebook

Set for publication July 7, 2009 by Spiegel & Grau (a division of RandomHouse)

When Batuk Ramasdeen was just nine years old, her father took her from her home in a rural village of India and sold her into sexual slavery in Mumbai. Then, she didn’t know to be scared until it was too late. Now, six years later, fifteen-year-old Batuk has used her wiles to obtain a blue notebook and a pencil, which she uses to record her stories. Batuk cannot afford to allow herself to feel too deeply or to think about what her life has become, so she pours her thoughts and experiences onto paper.

James Levine’s debut novel The Blue Notebook alternates between Batuk’s writings about her past and her first-person narration of her current circumstances. She lives in a cell, her “nest,” in a brothel with four other girls and one boy, Puneet, who is the prized prince of the place and Batuk’s best friend. In her notebook, Batuk tells us of how she learned to read during her stay in a TB ward, and she reveals her intelligence and precociousness. She writes with vivid descriptions that allow us to feel the warm thickness of the city air and smell the odor of dirty bodies, animals, and waste with nowhere else to go. She brings us into her moments of “making sweet-cake” with her customers, telling us that she hates her job but strives to be good at it so her oppressors will favor her, and she reveals that she often wishes she were deranged or incapable of knowing the unbelievable truth about her life.

Batuk’s experiences are often painful and devastating to read about. She is raped and beaten multiple times, and she realizes with intense clarity that her body has become public property, that the men who desire her feel entitled to take her with or without her consent, and that they often enjoy it more when they take her against her will. Though she has certainly been forced to grow up too fast, Batuk reminds us that she is, in many ways, still a little girl. She has an active imagination, she likes to color, and she refers to her vagina as “Bunny Rabbit.” But she also enjoys being made up and dressed in finery, not as a form of playing pretend but because she understands the power she has over men and wants to hold onto it as long as she can. This contrast between girlhood and forced womanhood make clear the atrocities she is forced to endure, and they make for a very compelling story.

As Batuk writes about her experiences, she tends to relay the events and her thoughts very clearly, but she rarely touches on her emotions. This allows readers a small taste of her life, as we feel that we are there in the room with her but that we are, at the same time, distanced from her emotions and our reactions. Levine uses this technique effectively, but he often allows Batuk to express thoughts and philosophical insights far beyond the scope of what a fifteen-year-old—even one as precocious as Batuk—is capable of.  I found it distracting and a bit irksome, and I think it would have been better to express those insights through third-person narration woven into Batuk’s first-person writings.

The Blue Notebook is a powerful and very sad read that reminded me in many ways of Memoirs of a Geisha. It gives a personal voice to an issue of global importance and forces us to pay attention to something many would prefer to ignore.  James Levine has given us a solid debut that hints at the promise of great things to come, and booklovers will be drawn into his story about the refuge available to us in words and the release we can find in writing. 4 out of 5.

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