Thoughts on A Mercy by Toni Morrison

2008 at 3pm     Posted by Rebecca Joines Schinsky

I read Toni Morrison’s new novel A Mercy, her first in five years, over the weekend and thought it was simple and beautiful and complex and deep all at the same time.  The senior seminar I took in college, in which we read all 7 of her published novels, was a highlight of my educational career, and I’ve loved and admired her work ever since.

Date of publication: November 11, 2008

A Mercy is set in 1690 in the American southeast, where slavery was alive and well but was not yet equated with race.  Slaves were black, white, and Native American; some were working off a debt, and others were bought and sold as commodities. 

Morrison focuses the story around four women. Rebekka is white, the wife of Jacob Vaark, a landowner and trader who bought Lina, a Native American woman, to work as a servant for her.  Despite their initial distrust and dislike of each other, Rebekka and Lina forge an unlikely partnership and quickly come to depend on each other. Out of kindness, Rebekka and her husband have taken in Sorrow, a poor black girl who has been raped and abused, and later Florens, the daughter of a slave, who comes into the master’s care when her mother begs him to take her daughter from their current master as payment for a debt.

The narrative alternates between these characters without warning or notation and switches between first- and third-person perspectives.  The action centers on Florens, who has left the farm on a mission to find the blacksmith, with whom she is in love, and who she believes can help cure the Mistress of illness she has fallen into. Morrison gives us chapters from Florens’s perspective, as she expresses her love and desire for the blacksmith and narrates her journey to find him, and I found those to be the most compelling parts of the book.

Morrison also gives us Rebekka’s perspective and Lina’s point-of-view, both of which are interesting, but neither of which compares to the chapters on Sorrow, who, after giving birth, becomes Complete. Morrison’s use of symbolism and her trademark depth of meaning are at work in A Mercy, and she succeeds in telling a powerful story that at only 169 pages packs quite a punch.

I am so in love with Morrison’s writing that I’m finding it difficult to summarize the plot of the book, so I’ll skip the full-length book review and simply say that this is a fantastic read and an excellent exploration of the issues of race, class, color, and gender that Morrison always consistently handles with insight, intelligence, and precision. Not a single word is wasted.

A Mercy is much more accessible than Beloved, Morrison’s first book about slavery, and it will be a solid introduction for the uninitiated reader who enjoys plumbing the depths of a text and who appreciates that what is not said is often just as (if not more) important as what is said. This is not a casual read. It deserves time and attention, and you won’t regret it. 5 out of 5.

This book has been getting a lot of press (as it should), and here are some of the highlights I’ve found:

Have you read A Mercy?  Share your thoughts or leave a link to your review in the comments.  Read anything interesting about the book or Toni Morrison?  Please leave a link.

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  2. Toni Morrison and the Problem of Multiple Reading Personalities
  3. Book Review & Giveaway: The Shape of Mercy by Susan Meissner
  4. BTT: 5 for Favorites
  5. New York Times 2008 Notable Books