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Today’s topic: If you’re anything like me, one of your favorite reasons to read is for the story. Not for the character development and interaction. Not because of the descriptive, emotive powers of the writer. Not because of deep, literary meaning hidden beneath layers of metaphor. (Even though those are all good things.) No … it’s because you want to know what happens next?
Or, um, is it just me?
So, what exactly is the question here?
There are a lot of reasons that I love to read, and while I do enjoy a compelling story that makes me want to keep reading to find out what happens next, I’d never give that as my favorite or primary reason for reading. Not that many people would ask.
A compelling story on its own isn’t going to do it for me, though. I need character development—-good, interesting, thoughtful character development—-and I love complex narratives and stories told by multiple narrators. Unreliable narrators and ambiguity in the storylines and meanings of the events get me all hot and bothered. In fact, I’d say that the “descriptive, emotive powers of the writer” and “deep, literary meaning” are things I look for and prize in a piece of literature, far above the edge-of-your-seat factor. I enjoy following characters on a journey, and that’s what usually keeps me reading.
This isn’t to say that plot isn’t important. It’s very important, and I do like the occasional plot-driven novel, but it needs to be well written and have fully developed characters. I’m not willing to sacrifice plot for characters or vice-versa.
I want it all.
And what about non-fiction books? When I read those, I’m usually not reading for the story or to find out what happens next—-I’m reading to learn something or to think about the world in a new way or to experience something I’ve never experienced before through someone else’s eyes. A non-fiction book that is written to convey information about a topic should be well constructed, and the author should definitely employ his descriptive powers to help me understand and encode the infromation. A non-fiction that is written about someone’s experiences (i.e. a memoir, travelogue, etc.) should have its own version of character development as the author describes how she was changed by the experience she’s writing about….but the stories about the experiences themselves (I suppose this is the non-fiction version of “plot”) are also important.
I want it all.
I read because I can’t imagine not reading. I read because there’s no better way to step out of my own life and circumstances and to forget about the world for a while than immersing myself in someone else’s story. I read because books have the power to change us—-to change the way we think and the way we feel and the way we live in our world—-and I think that’s pretty amazing. I read because I love the way a good book makes me feel and because there’s no better way to spend a rainy day than on the couch than with a book, and I read because, though reading is a solitary activity, it allows me to connect with other people on a level that (at least in my experience) most other hobbies don’t. I read not because I have to but because I want to. I’m voracious and greedy, and I lust after books. I just can’t help myself. When it comes to books….
I want it all.
Did you miss yesterday’s post about life as a bookseller? Scroll down for some screaming good times…
As I flipped through old posts last night, I realized that I talk about my job a lot, and many of you seem interested in what I do and envious that I get to spend my days talking about books with other people who love talking about books and helping my clients and customers find what they’re looking for. And you’re right to be envious–it’s a great job, and it’s given me an opportunity to meet and connect with readers, educators, authors, and fellow bibliophiles I wouldn’t have otherwise met. So, even though I occasionally have to stay up way past my bedtime to sell horrid teen vampire romance books to throngs of squeeling adolescents, it’s balanced out by the wonderful people I meet….and by the unintentionally entertaining customers who often have no idea what they’re looking for.
When I was a therapist in my pre-bookselling life, I was often asked (usually by people at parties, on airplanes, etc.) to talk about the weirdest or most unusual things I had heard from a client. Since I was an ethical therapist, I, of course, didn’t talk about these things. Now that I sell books, I wish people would continue to ask me this question because some pretty funny things go down when you work with the general public. Especially during the “Back to School” craze. Here are a few of my favorites:
Scenario #1
Customer (a college-aged student): “Um, I need a book called Emily. My English teacher said we have to have it.”
Bookseller (unfortunately, I wasn’t lucky enough to get this one): “Emily? Do you mean Emma? By Jane Austen?”
Customer: “No, it’s called Emily. See, I wrote it down (points to paper)–Emily.”
Bookseller: “Do you have the class syllabus or anything with the author’s name or the ISBN on it? I don’t know of a book called Emily” (searches store database and finds nothing called Emily that looks appropriate for a college English class). “There’s really not a book called Emily. Let me show you Emma.” (They walk to the shelves)
Customer: “No, that’s not it. The book my teacher had was silver.”**
Bookseller: “Okaaaaay. It was silver. But I still don’t see a book called Emily, even with a silver cover. Can you tell me anything else about it?”
Customer: (long pause) “Well, it’s not a book you read.”
Bookseller: “Not a book you read? Is it a picture book?”
Customer: “No, it’s for a college English class. I think it’s about writing or something” (why she didn’t mention this before, I don’t know)
Bookseller: “Oh, you mean the MLA guide. MLA, not Emily. Next time, it might help if you brought the syllabus.”
** You would be amazed by the number of people who think we can find a book if we just know what color the cover is. Now, if the cover design is distinctive, memorable, or unique, or if you describe it very well, that might help, but “It was blue with green writing, and I saw it on a table at the front of the store a couple months ago” is not helpful. Neither is “I don’t remember the author’s name or what the the book is about, but the title had (insert very generic/common word here) in it.”
Caller: “Yes, I’d like to set up a tour of the store for my school-aged children.”
Me: (confused because we only coordinate tours for school groups, not individuals or families) “Are you a homeschooler?”
Caller: “No, I just want to set up a tour for my school-aged children”
Me: “Do you mean you want a tour for your family?” (because there’s no way in hell that’s happening)
Caller: “No, I have a group of school-aged children, and I’d like to bring them for a tour.”
Me: “Okay, are you calling from a school?”
Caller: “Yes” (finally, we’re getting somewhere). I’m calling from (insert name of local school I haven’t heard of–and I’ve heard of most of them).”
Me: “Okay, how many students are in your group?”
Caller: “We have about 25.”
Me: “How old are they?” (this makes a big difference in determining what kind of activities I plan)
Caller: “Well, they’re school-aged.”
Internal Monologue (did she really just say that? And what the hell does that mean? Are they 5? Are they 18? Are they 5 through 18?)
Me: “More specifically, what age or grade level are they? I’d like to plan an event that is specific and age-appropriate.”
Caller: “Oh, they’re preschool through second grade.”
So we continued our conversation, and everything worked out just fine, but really, “school-aged children?” And why didn’t she call and just say from the get-go, “Hi, this is Susie Q. from Generic Preschool, and I’d like to bring a group of students for a tour”? Seriously. People are strange.
This is what I found when I did a Google Image search for “school-age children”
Scenario #3 (which happened one morning last week, before I’d even had my signature Grande Peppermint Mocha, stirred, light whip cream)
(Phone rings)
Me: “Good morning, this is Rebecca.”
Caller: “Hi, my name is Blah Blahblah, and I’m a publicist for Gobbledygook Books” (clearly, I’m changing names to protect the innocent…or ignorant…or, nevermind). “I work with an author from your area who has written a book about cats, and she’s interested in doing a signing in your store.”
So far, this seems pretty normal. I get calls and drop-in visits like this all the time.
Me: “Okay, can you tell me more about the book? Is it a children’s book or a book about pets? How would you describe it?”
She proceeds to describe the book, which is apparently written for adults, but classified as Christian/Inspiration, and is written entirely from the perspective of the cats. Okay. For adults. Really?
Me: “Well, I generally do one or two signings per month, and I’m all booked up in September and December. What timeline were you thinking about?”
Caller: “She can really come anytime, but she would really like to do it on October 16th to coincide with National Feral Cat Day. We were you thinking you could tie that into your marketing and get the audience really excited about it.”
Internal Monologue (National Feral Cat Day? WTF? How am I supposed to market that? “Have you hugged your feral cat today?” “Come celebrate feral cats–bring yours and join the party!” “Buy a book, get a free rabies vaccine!”)
I rein in my snarkiness, request a review copy of the book and a publicity package (a word to the wise: never schedule a book signing without having actually seen and read the book. Bad things happen.), and tell her I’ll get back to her. Then I immediately hit Google to look for publicity ideas. I think I’ll start with these:
So there you have it….the life of a bookseller/community relations guru/event planner/feral cat activist.
What’s your weirdest work story? Tell me. I really want to know.
But first, I want you to enter to win an ARC of The Gone-Away World. My contest closes today at 11:59 EDT.
Done? Now, tell me your weirdest work story. I know you have one.
Today’s topic: LibraryThing authors. Who are your LibraryThing authors? What books of theirs do you have? Do you ever comment on an author’s LT page? Have you received any comments from an author on your LT account?
My LT authors are Marisa de los Santos, who wrote Love Walked In and Belong to Me (and whom I’m looking forward to meeting–hopefully–at the National Book Festival next month) and Doreen Orion, who wrote Queen of the Road, which I reviewed here.
I’ve never commented on either of their LT pages, and that’s primarily because there’s not much there to comment on. I wish more of the LT authors would actually catalog their books and participate in our discussions. I’m sure some of them do (and I know they’re very busy), but some more interaction would be great. I’ve also never received any comments from an author on my LT account.
Wait, I take that back. Hannah Holborn, who has written a book called Fierce that will come out in December, has left a few comments on my page. I feel special
I’ve been talking to Christopher Meeks, author of Months and Seasons, and trying to get him to join LT and participate in an author chat because I loved his book and want to spread the word about it, but so far, no luck.
On an unrelated note: Joshua Henkin’s wonderful novel Matrimony is being released in paperback today. I adored this book (read my review here) and think it’s in strong contention for my August favorite…though, it’s competing with Margaret Atwood, which isn’t really fair. Anyway, here’s a peek at the new cover:
Go pick up a copy today, or wait for my giveaway later next month.
Speaking of giveaways, tomorrow is the last day to enter my Win It Before You Can Buy It giveaway of an ARC of Nick Harkaway’s The Gone-Away World.
And if you’d like to join the Tuesday Thingers fun, visit Marie at The Boston Bibliophile.
In the spirit of continuing my “getting to know you” theme from last week, I thought I’d borrow this questionnaire from my good buddy James Lipton (love him!) at Inside the Actors Studio and try to get a fun little meme started at the same time. So, I’ll answer the questions and then tag three of my blogging buddies, who will then tag three more, and well…you see how it goes.
What is your favorite word? I like a lot of words, but I think I’ll go with mellifluous.
What is your least favorite word? smegma. I’ll spare you the link to that definition.
What turns you on (creatively, spiritually or emotionally)? a good vocabulary, wittiness, well-stocked bookshelves
What turns you off (creatively, spiritually or emotionally)? closedmindedness
What sound or noise do you love? my husband’s laugh, the little harrumphing sounds my dog makes when she snuggles, the opening chords to “Rain King” by Counting Crows
What sound or noise do you hate? that incessant beep beep beep of the alarm clock, people chattering on cell phones in public places
What is your favorite curse word? This is so unladylike and improper, but it’s definitely motherf**ker….it’s so multipurpose.
What profession other than your own would you like to attempt? I’d love to be a travel writer or restaurant reviewer
What profession would you not like to do? police officer, politician, televangelist
If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? “The library is right this way…”
It’s been kind of a blah reading week for this book lady. I only reviewed one book–The Sex Lives of Cannibals–and it felt like it took me forever to finish it. I did have some fun blog posts, though. Have you seen my Deserted Island Reading List? What would you take with you for a long trip to a desolate place? On Wednesday I dished about my guilty pleasure summer TV shows and posted a few photos from my library wedding, and Thursday I shared favorite library memories and a few more photos. Yesterday, I borrowed the Book Brahmins questionnaire from Shelf Awareness and had a little getting-to-know-me moment.
Last night I finished Stalking Irish Madnessfor Library Thing Early Reviewers. Here’s my review.
Available for purchase August 26, 2008.
I received this book from Library Thing Early Reviewers.
On a crisp autumn day in 1924, Patrick Tracey’s great-great-grandmother May Sweeney (who was 29 years old at the time) left her home in County Roscommon, Ireland dressed in her finest clothing and jewelry. When she wasn’t home by dusk, her husband Jack began to worry. It wasn’t like May to stay out so late in a potentially dangerous part of town. Jack knew that May had been changing; once cheerful and lively, she had become increasingly aloof and melancholy, but he didn’t expect this:
At last Jack sees May’s figure approaching in the murky darkness. In her white-gloved finery, she moves up the walkway. But something is amiss: she is clutching her shoes; her hat is cocked, her makeup smudged. May stands in the middle of the road, her shoeless feet swollen and reddened, hard-worn, it would seem, from hours of walking. She says nothing, but as Jack goes out the gate to meet her, her slow grin says it all: every tooth has been wrenched from May’s head–her gums a swollen and bloody mess.
May reveals to Jack that she has been hearing voices who told her that they would leave her alone if she would remove them from her dental cavities. Of course, the voices lied. They continued to plague May, who suffered from schizophrenia for the rest of her life and is the first in a long line of the author’s family members to fall victim to this
apolocalyptic form of madness [that] robs its of our most precious human gift: the ability to separate the real world from the unreal and to trust one’s thoughts as true.
The schizophrenia in Tracey’s family is passed down his mother’s side, and its appearance is unpredictable and often skips a generation. The victims include Tracey’s great-great-grandmother, his grandmother, one of his uncles, and two of his four sisters. Counting himself as “a genetic near miss,” Tracey sets out for Ireland on a quest to uncover the history of the madness that has plagued his family for four generations. It has the potential to be an amazing journey, but Tracey doesn’t find much.
Though the beginning of the book and Tracey’s descriptions of his family’s history with schizophrenia are compelling—-his firsthand accounts of watching the illness overtake his sisters are particularly gripping—-the rest of the book falls flat. In fact, the middle two-thirds of Stalking Irish Madness read much more like a travelogue than a research project or case history. Tracey provides increasingly extraneous details about the weather, the countryside, and the colorful folks he meets at the local pubs (not to mention a few self-indulgent passages about his own struggles with substance abuse), and this book lady had the sense that he was doing so in order to fill the pages, to have something to talk about since his inquiries about schizophrenia and local history were continually fruitless.
In his travels, Tracey does meet and interview a few schizophrenia researchers, and the information they provide is both interesting and frustrating, due to the fact that what little we know about the disease has made us only more aware of how much we don’t know. In general, Tracey’s descriptions and explanations of schizophrenia are thoughtful, well-written, and accurate, which makes this a good book for those readers interested in a very general introduction to schizophrenia. Tracey’s exploration of the links between socioeconomic problems and mental illness are also interesting and worthwhile, but, on the whole, the book leaves much to be desired.
I was very interested in the premise of this book and thought it had (and still has) the potential to be a very interesting story. However, I was very frustrated by the fact that it really isn’t a book about Tracey exploring his family history; it’s a book about Tracey trying to explore his family history, not having much luck, and so paying much more attention to the scenery and local color than he should have. At only 257 pages, the book is a relatively short, but it could have (and should have) been much shorter.
If nothing else, this could have been a great book for introducing lay people to a better understanding of mental illness. Tracey could have focused on the research he did and the academics and doctors he interviewed, and it would have been very interesting and informative. As I read, I realized that the book, as it is written, would actually have worked much better as a documentary film. We could follow Tracey on his quest, see the sights for ourselves, share his frustration in finding few answers, and come to our own conclusions. As a book that was supposed to be about tracing family history, though, it just doesn’t work. Tracey does not do what he says he is going to do; there is very little family history within this book that is ostensibly focused primarily on uncovering such secrets.
That said, Tracey’s writing isn’t half bad, and he does a decent job of exploring the potential causes and correlates of schizophrenia. He asks why, in a family plagued by the illness, some people develop the disease while others don’t, and he resists the very appealing temptation to wallow in self-pity for what his family has lost. I didn’t love Stalking Irish Madness, but I didn’t hate it, either. It would be a good introduction to schizophrenia for anyone interested in very basic information, and I’m sure it would be an interesting read for other people whose families have experienced similar plagues of madness or disease. I’m giving it 3 out of 5.
UPDATE: Click here to listen to an NPR interview with author Patrick Tracey.